Philippa Tudor: ‘Holst, Vaughan Williams and Walt Whitman’
Laura Hamer: ‘ “Every impulse seems to have died within me except for music”: Gerard Manley Hopkins as composer’
Rodney Stenning Edgecombe: ‘Manzotti’s Excelsior, the tableau vivant and the cantata scenica of the primo ottocento: an essay on form and influence’
Barbara Barry: ‘Op.135: Beethoven’s “Haydn” quartet’
John Arthur: ‘The watermark catalogue of the Neue Mozart-Ausgabe: some addenda and corrigenda
Reviews
by Andrew Thomson and Arnold Whittall of
Stephen Walsh: Debussy: a painter in sound
Klaus Huber: Plowed time: writings and conversations
Yves Knockaert: Wolfgang Rihm, a chiffre: the 1980s and beyond
Kevin C. Karnes: Arvo Pärt’s Tabula Rasa
