Newly published
WHAT WE REALLY DO
The Tallis Scholars
second edition
by Peter Phillips
For ordering details click here.
What We Really Do
Newly published
WHAT WE REALLY DO
The Tallis Scholars
second edition
by Peter Phillips
For ordering details click here.
From the Spring 2013 Musical Times, available now
Articles
Arnold Whittall: ‘Lohengrin and the constraints of romantic opera’
David Cormack: ‘Wagner curiosities in the Bergen Public Library’
Leo Black: ‘Recalled to life: mature reflections on Schubert’s Lazarus’
Judith Chernaik: ‘Mendelssohn reconsidered’
Markus Rathey: ‘Between Heine, Werner and Bach: two quotations in Mendelssohn’s Fifth Symphony op.107’
Donald Burrows: ‘Reconstructing Handel’s performances of L’Allegro’
Olive Barlow & Thelma Wilson: ‘Handel, Eccles and the birthday celebrations for Queen Anne in 1711’
Olga Baird: ‘Early settings of the Ode to joy: Schiller–Beethoven–Tepper’
Book reviews
by Patricia Howard, Andrew Thomson, Arnold Whittall and Peter Williams of
Sergey Prokofiev: Diaries 1924–1933: prodigal son
Friedemann Sallis, Robin Elliott & Kenneth DeLong, edd.: Centre and periphery, roots and exile: interpreting the music of István Anhalt, György Kurtág, and Sándor Veress
AM Garnham: Hans Keller and internment: the development of an émigré musician 1938–48
Hans Keller & Milein Cosman: Stravinsky the music-maker: writings, prints and drawings
Richard Cohn: Audacious euphony: chromaticism and the triad’s second nature
Philip Olleson, ed.: The journals and letters of Susan Burney
Giorgio Sanguinetti: The art of partimento: history, theory and practice
Nicholas Baragwanath: The Italian traditions & Puccini: compositional theory and practice in nineteenth-century opera
Peter Dickinson, ed.: Lennox Berkeley and friends: writings, letters and interviews
From the Winter 2012 Musical Times, available now
Articles
Sabra Statham: ‘ “Back to Baltimore”: George Antheil’s symphonic excursion from European modernism to American postmodernism’
by Leo Black, Patricia Howard, Arnold Whittall and Peter Williams of
Sabra Statham: ‘ “Back to Baltimore”: George Antheil’s symphonic excursion from European modernism to American postmodernism’
Barry Cooper & Erica Buurman: ‘The influence of Wolfgang Ebner’s Ferdinand Variations on Bach, Beethoven and others’
Olive Barlow & Thelma Wilson: ‘The Subscription Musick of 1703–04’
Beverly Jerold: ‘The varied reprise in 18th-century instrumental music’
Simon Fleming: ‘John Garth and his music: an important provincial composer from 18th-century Britain’
Book reviews
by Leo Black, Patricia Howard, Arnold Whittall and Peter Williams of
Susan Wollenberg: Schubert’s fingerprints: studies in the instrumental works
Kristina Muxfeldt: Vanishing sensibilities: Schubert, Beethoven, Schumann
Rob Haskins: John Cage
Jeremy Grimshaw: Draw a straight line and follow it: the music and mysticism of La Monte Young
Andrew Shenton, ed.: The Cambridge companion to Arvo Pärt
Matthew Dirst: Engaging Bach: the keyboard legacy from Marpurg to Mendelssohn
Martin Harlow, ed.: Mozart’s chamber music with keyboard
Susan McClary: Desire and pleasure in seventeenth-century music
Hugh Macdonald: Music in 1853: the biography of a year
Ryan Minor: Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany
From the Autumn 2012 Musical Times, available now
Articles
by Patricia Howard, Andrew Thomson and Peter Williams of
Arnold Whittall: ‘Distressed surfaces: Morgan Hayes and 21st-century expressionism’
Sylvia Bowden: ‘ “Mademoiselle Maxemiliana Brentano” and the English edition of Beethoven’s op.106’
Stephen Husarik: ‘Musical direction and the wedge in Beethoven’s high comedy, Grosse Fuge op.133’
Judith Chernaik: ‘Schumann’s Papillons op.2: a case study’
Jeroen Tempelman: ‘Eduard Strauss in America, 1890’
Book reviews
by Patricia Howard, Andrew Thomson and Peter Williams of
Andrew H. Weaver: Sacred music as public image for Holy Roman Emperor Ferdinand III
Bettina Varwig: Histories of Heinrich Schütz
Ian Woodfield: Performing operas for Mozart
Stephen Rumph: Mozart and Enlightenment semiotics
RJ Stove: César Franck: his life and times
From the Summer 2012 Musical Times, available now
Patricia Howard: ‘The castrato composes: Guadagni’s setting of “Pensa a serbarmi, o cara” ’
Leo Black: ‘Late thoughts from Schubert: the 1828 replacement Benedictus for the C major Mass’
Rodney Stenning Edgecombe: ‘Popolaresco, peasants and primitivism’
Eric Saylor: ‘Valedictory Variazioni: form and function in the first movement of Vaughan Williams’s Symphony no.8’
David Howard: ‘The way forward: building on Dean Hussey’s vision’
Benjamin Dwyer: ‘ “Within it lie ancient melodies”: Dowland’s musical rhetoric and Britten’s Songs from the Chinese’
Book reviews
by Andrew Thomson, Arnold Whittall and Peter Williams of
Tomi Mäkelä: Jean Sibelius
Philip Ross Bullock, ed.: The correspondence of Jean Sibelius and Rosa Newmarch 1906–1939
Daniel M. Grimley, ed.: Jean Sibelius and his world
Lewis Foreman, ed.: The John Ireland companion
Stephen Downes: Hans Werner Henze: Tristan (1973)
Louise Duchesneau & Wolfgang Marx, edd.: György Ligeti: of foreign lands and strange sounds
Amy Bauer: Ligeti’s laments: nostalgia, exoticism, and the absolute
Richard Steinitz: Explosions in November: the first 33 years of Huddersfield Contemporary Music Festival
Mattias Lundberg: Tonus peregrinus: the history of a psalm-tone and its use in polyphonic music)
From the Spring 2012 Musical Times, available now
Articles
Michael Graubart: ‘Beethoven’s Ninth: where does integration happen?’
Chris Walton: ‘Upstairs, downstairs: acoustics and tempi in Wagner’s “Träume” and Siegfried idyll’
Arnold Whittall: ‘Reforging The ring: origins and new beginnings’
Maria Euchner: ‘The ring’s Rhinemaidens: singing seductresses or women of wisdom?’
Kerry McCarthy & John Harley: ‘More books from the library of William Byrd’
Alan Howard: ‘The sources of John Blow’s Ode on the death of Mr Henry Purcell (1696)’
Ian Bartlett: ‘Was Boyce a Mason?’
Simon Fleming: ‘Charles Avison jnr and his book of organ voluntaries'
Book reviews
by Peter Phiilips, Andrew Thomson, Arnold Whittall and Peter Williams of
Kenneth Birkin: Hans von Bülow: a life for music
Holly Watkins: Metaphors of depth in German musical thought from E.T.A. Hoffman to Arnold Schoenberg
John Harley: The world of William Byrd: musicians, merchants and magnates
Michael Musgrave: The life of Schumann
Gordon DW Curtis: A provincial organ builder in Victorian England: William Sweetland of Bath
From the Winter 2011 Musical Times, available now
Raymond Holden: ‘The iconic symphony: performing Beethoven’s Ninth Wagner’s way’
Erica Buurman: ‘New evidence in an old argument: Beethoven’s metronome mark for the Trio of the Ninth Symphony’
Rodney Stenning Edgecombe: ‘The deictic in “diese Töne”: thoughts on the finale’s proem in the Ninth Symphony of Beethoven’
Judith Chernaik: ‘Schumann’s Doppelgängers: Florestan and Eusebius revisited’
Leo Black: ‘ “Eine ganz eigne Stimmung”: Schumann’s late piano music, and a new symposium’
Stephanus Muller: ‘Miniature blueprints, spider stratagems: a Michael Blake retrospective at 60'
Book reviews
by Patricia Howard, Andrew Thomson, Arnold Whittall and Peter Williams of
Dmitri Tymoczko: A geometry of music: harmony and counterpoint in the extended common practice
Steven Rings: Tonality and transformation
Charles Youmans, ed.: The Cambridge companion to Richard Strauss
Raymond Holden: Richard Strauss: a musical life
Ian Bartlett with Robert J. Bruce: William Boyce: a tercentenary sourcebook
Helen Berry: The castrato and his wife
Samantha Owens, Barbara M. Reul & Janice B. Stockigt, edd: Music at German courts, 1715-1760: changing artistic priorities
Stephen Rose: The musician in literature in the age of Bach
Patricia Hall: Berg’s Wozzeck
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