Index 2009

Volume 150 (2009)

Articles

John Arthur: ‘Mozart’s “V’amo di core teneramente” K.348 (382g): a case of mistaken chronology’, vol.150 no.1906 (Spring 2009), pp.33–44.

Allan W. Atlas: ‘Vaughan Williams’s “Silent noon”: structure and proportions’, vol.150 no.1907 (Summer 2009), pp.71–82.

Sylvia Bowden: ‘ “A union of souls”: finding Beethoven’s “distant beloved” ’, vol.150 no.1909 (Winter 2009), pp.71–94.

Robert J. Bruce: ‘An incident at Severn Stoke, 11 September 1830’, vol.150 no.1908 (Autumn 2009), pp.57–64.

Donald Burrows: ‘Didn’t Handel go to Oxford in 1749?’, vol.150 no.1909 (Winter 2009), pp.31–38.

Durval Cesetti: ‘The narrative of a composer’s biography: some aspects of Szymanowski reception’, vol.150 no.1908 (Autumn 2009), pp.42–50.

Ilias Chrissochoidis: ‘ “true Merit always Envy rais’d: the Advice to Mr. Handel (1739) and Israel in Egypt’s early reception’, vol.150 no.1906 (Spring 2009), pp.69–86.

Barry Cooper: ‘ “Miss Bonwick” identified: an 18th-century composer and organist’, vol.150 no.1908 (Autumn 2009), pp.51–56.

David Cormack: ‘English Flowermaidens (and other transplants) at Bayreuth’, vol.150 no.1909 (Winter 2009), pp.95–102.

David Cormack: ‘Of earls and Egypt: founders of the first London Wagner Societies’, vol.150 no.1907 (Summer 2009), pp.27–42.

Rodney Stenning Edgecombe: ‘K.332 and Swan Lake: two points of contact’, vol.150 no.1907 (Summer 2009), pp.83–95.

Michael Graubart: ‘Modern & new’, vol.150 no.1907 (Summer 2009), pp.103–06.

Michael Graubart: ‘The emperor of Atlantis: the first British production’, vol.150 no.1908 (Autumn 2009), pp.85–89.

Marc G. Jensen: ‘John Cage, chance operations, and the chaos game: Cage and the I ching’, vol.150 no.1907 (Summer 2009), pp.97–102.

Simon P. Keefe: ‘Beyond fact and fiction, scholarly and popular: Peter Schaffer and Milos Forman’s Amadeus at 25’, vol.150 no.1906 (Spring 2009), pp.45–53.

Richard G. King: ‘Who wrote the texts for Handel’s Alceste?’, vol.150 no.1906 (Spring 2009), pp.93–96.

Ralph P. Locke: ‘Alien adventures: exoticism in Italian-language Baroque opera’, vol.150 no.1909 (Winter 2009), pp.53–69.

Thomas Mautner: ‘A song by Handel’, vol.150 no.1906 (Spring 2009), pp.87–92.

Kerry McCarthy & John Harley: ‘From the library of William Byrd’, vol.150 no.1909 (Winter 2009), pp.17–30.

Kevin O’Connell: ‘Messiaen’s “Liebestod” and the uses of paraphrase’, vol.150 no.1907 (Summer 2009), pp.19–26.

Robert Orledge: ‘Erik Satie’s ballet uspud: prime numbers and the creation of a new language with only half the alphabet’, vol.150 no.1908 (Autumn 2009), pp.31–41.

Peter Palmer: ‘Schoeck’s Penthesilea’, vol.150 no.1906 (Spring 2009), pp.19–32.

Steven Plank: ‘Purcell, the anthem, and the culture of preaching’, vol.150 no.1908 (Autumn 2009), pp.17–30.

Matthias Range: ‘William Croft’s Burial Service and Purcell’s Thou knowest, Lord’, vol.150 no.1906 (Spring 2009), pp.54–68.

Godwin Sadoh: ‘Modern Nigerian music: the postcolonial experience’, vol.150 no.1908 (Autumn 2009), pp.79–84.

Joyce Simlett-Moss: ‘Confused identities: the two Master Hummel(l)s’, vol.150 no.1908 (Autumn 2009), pp.65–78.

Thomas D. Svatos: ‘Reasserting the centrality of musical craft: Martinu and his American diaries’, vol.150 no.1907 (Summer 2009), pp.55–70.

Rodney M. Thomson: ‘John Dunstable and his books’, vol.150 no.1909 (Winter 2009), pp.3–16.

Chris Walton: ‘Some day my Fürst will come: Wagner’s Hohenzollern hopes for a Prussian Bayreuth’, vol.150 no.1907 (Summer 2009), pp.43–54.

Arnold Whittall: ‘1909 and after: high modernism and “New Music” ’, vol.150 no.1906 (Spring 2009), pp.5–18.

Arnold Whittall: ‘Elegies and affirmations: John Casken at 60’, vol.150 no.1909 (Winter 2009), pp.39–51.

Arnold Whittall: ‘Tristan, Isolde, Marke: romance and responsibility’, vol.150 no.1907 (Summer 2009), pp.3–18.

Peter Williams: ‘Centre forward: whither “music studies”?’, vol.150 no.1908 (Autumn 2009), pp.7–15.


Book reviews

John Adams: Hallelujah junction: composing an American life, reviewed by Christopher Fox, vol.150 no.1908 (Autumn 2009), pp.109–12.

Robert Adlington, ed.: Sound commitments: avant-garde music and the sixties, reviewed by Arnold Whittall, vol.150 no.1908 (Autumn 2009), pp.118–[121].

Patrizio Barbieri: Enharmonic: instruments and music 1470–1900, reviewed by Peter Williams, vol.150 no.1906 (Spring 2009), pp.113–16.

John W. Barker: Wagner in Venice, reviewed by David Cormack, vol.150 no.1906 (Spring 2009), pp.116–20.

Tim Blanning: The triumph of music: composers, musicians and their audiences, 1700 to the present, reviewed by David Wright, vol.150 no.1909 (Winter 2009), pp.103–07.

Peter Bloom, ed.: Berlioz: scenes from the life and work, reviewed by Andrew Thomson, vol.150 no.1906 (Spring 2009), pp.110–13.

Suzanne Cole: Thomas Tallis and his music in Victorian England, reviewed by Peter Phillips, vol.150 no.1906 (Spring 2009), pp.97–100.

Robin Daniels: Cardus: celebrant of beauty, reviewed by Peter Phillips, vol.150 no.1908 (Autumn 2009), pp.91–95.

Deniz Ertan: Dane Rudhyar: his music, thought, and art, reviewed by Kevin O’Connell, vol.150 no.1908 (Autumn 2009), pp.103–08.

Constantin Floros: Alban Berg and Hanna Fuchs: the story of a love in letters, reviewed by Peter Palmer, vol.150 no.1908 (Autumn 2009), pp.114–15.

James E. Frazier: Maurice Duruflé: the man and his music, reviewed by Andrew Thomson, vol.150 no.1908 (Autumn 2009), pp.96–102.

Lydia Goehr: Elective affinities: musical essays on the history of aesthetic theory, reviewed by Peter Williams, vol.150 no.1906 (Spring 2009), pp.113–16.

Daniel Heartz: Mozart, Haydn and early Beethoven: 1781–1802, reviewed by Patricia Howard, vol.150 no.1908 (Autumn 2009), pp.112–14.

Björn Heile, ed.: The modernist legacy: essays on new music, reviewed by Arnold Whittall, vol.150 no.1908 (Autumn 2009), pp.118–[121].

Bob Hilton, ed.: The elusive Mr Cardus: letters and other writings of Neville Cardus, 1916–1975, reviewed by Peter Phillips, vol.150 no.1908 (Autumn 2009), pp.91–95.

Roy Howat: The art of French piano music: Debussy, Ravel, Fauré, Chabrier, reviewed by Andrew Thomson, vol.150 no.1909 (Winter 2009), pp.110–13.

Mary Hunter: Mozart’s operas: a companion, reviewed by Patricia Howard, vol.150 no.1907 (Summer 2009), pp.107–10.

Julian Johnson: Mahler’s voices: expression and irony in the songs and symphonies, reviewed by Arnold Whittall, vol.150 no.1909 (Winter 2009), pp.107–10.

Sylvia Kahan: In search of new scales: Prince Edmond de Polignac, octatonic explorer, reviewed by Robert Orledge, vol.150 no.1909 (Winter 2009), pp.113–15.

Michael Kassler: AFC Kollmann’s Quarterly Musical Register (1812): an annotated edition with an introduction to his life and works, reviewed by Peter Williams, vol.150 no.1909 (Winter 2009), pp.115–16.

Barbara L. Kelly, ed.: French music, culture and national identity, 1870–1939, reviewed by Andrew Thomson, vol.150 no.1906 (Spring 2009), pp.110–13.

John Lucas: Thomas Beecham: an obsession with music, reviewed by David Wright, vol.150 no.1907 (Summer 2009), pp.119–[121].

Sander van Maas: The reinvention of religious music: Olivier Messiaen’s breakthrough toward the beyond, reviewed by Kevin O’Connell, vol.150 no.1908 (Autumn 2009), pp.103–08.

Simon Morrison, ed.: Sergey Prokofiev and his world, reviewed by Andrew Thomson, vol.150 no.1907 (Summer 2009), pp.110–16.

Simon Morrison: The people’s artist: Prokofiev’s Soviet years, reviewed by Andrew Thomson, vol.150 no.1907 (Summer 2009), pp.110–16.

Roger Nichols, ed.: Camille Saint-Saëns on music and musicians, reviewed by Andrew Thomson, vol.150 no.1908 (Autumn 2009), pp.96–102.

Carmen Ottner, ed.: Music in Wien 1938–1945: Symposion 2004, reviewed by Leo Black, vol.150 no.1907 (Summer 2009), pp.116–18.

Mark A. Peters: A woman’s voice in Baroque music: Mariane von Ziegler and JS Bach, reviewed by Patricia Howard, vol.150 no.1906 (Spring 2009), pp.104–07.

John A. Rice: Mozart on the stage, reviewed by Patricia Howard, vol.150 no.1907 (Summer 2009), pp.107–10.

Leslie Ritchie: Women writing music in late eighteenth-century England: social harmony in literature and performance, reviewed by Patricia Howard, vol.150 no.1906 (Spring 2009), pp.104–07.

Pwyll ap Siôn: The music of Michael Nyman: texts, contexts, intertexts, reviewed by Christopher Fox, vol.150 no.1906 (Spring 2009), pp.107–09.

John Tilbury: Cornelius Cardew (1936–1981): a life unfinished, reviewed by Arnold Whittall, vol.150 no.1908 (Autumn 2009), pp.115–18.

Arnold Whittall: Serialism, reviewed by Nicholas Jones, vol.150 no.1906 (Spring 2009), pp.100–03.

Bruce Wood: Purcell: an extraordinary life, reviewed by Peter Williams, vol.150 no.1909 (Winter 2009), pp.116–17.

Ian Woodfield: Mozart’s Così fan tutte: a compositional history, reviewed by Patricia Howard, vol.150 no.1907 (Summer 2009), pp.107–10.


In memoriam

‘Mauricio Kagel’, by Arnold Whittall, vol.150 no.1906 (Spring 2009), p.3.

‘Nicholas Maw’, by Arnold Whittall, vol.150 no.1908 (Autumn 2009), pp.3–4.


Letters

Eric L. Altschuler & Noam D. Elkies: ‘12-tone Bach’, vol.150 no.1908 (Autumn 2009), p.5.

John Leonard: ‘Out of order’, vol.150 no.1908 (Autumn 2009), p.6.