Volume 152 (2011)
Articles
Allan W. Atlas: ‘On the proportions of the passacaglia (fourth movement) of Vaughan Williams’s Fifth Symphony’, vol.152 no.1916 (Autumn 2011), pp.19–32.
Leo Black: ‘“Eine ganz eigne Stimmung”: Schumann’s late piano music and a new symposium’, vol.152 no.1917 (Winter 2011), pp.57–70.
Donald Burrows: ‘HWV301 and all that: the history of Handel’s “oboe concertos”’, vol.152 no.1914 (Spring 2011), pp.3–6.
Erica Buurman: ‘New evidence in an old argument: Beethoven’s metronome mark for the Trio of the Ninth Symphony’, vol.152 no.1917 (Winter 2011), pp.15–30.
Judith Chernaik: ‘Schumann’s Doppelgängers: Florestan and Eusebius revisited’, vol.152 no.1917 (Winter 2011), pp.45–55.
Barry Cooper: ‘Beethoven’s uses of silence’, vol.152 no.1914 (Spring 2011), pp.25–43.
David Cormack: ‘A Bayreuth extension lecturer: Carl Armbruster and music in the parks’, vol.152 no.1914 (Spring 2011), pp.61–86.
Rodney Stenning Edgecombe: ‘Some instances of ornithomorphism in 18th- and 19th-century music’, vol.152 no.1915 (Summer 2011), pp.71–94.
Rodney Stenning Edgecombe: ‘The deictic in “diese Töne”: thoughts on the finale’s proem in the Ninth Symphony of Beethoven’, vol.152 no.1917 (Winter 2011), pp.31–44.
Kenneth Gloag: ‘Nicholas Maw’s breakthrough: Scenes and arias reconsidered’, vol.152 no.1915 (Summer 2011), pp.31–57.
Laura Hamer: ‘On the conductor’s podium: Jane Evrard and the Orchestre féminin de Paris’, vol.152 no.1916 (Autumn 2011), pp.81–100.
John Walter Hill: ‘Thematic transformation, folksong and nostalgia in Brahms’s Horn Trio op.40’, vol.152 no.1914 (Spring 2011), pp.20–24.
Raymond Holden: ‘The iconic symphony: performing Beethoven’s Ninth Wagner’s way’, vol.152 no.1917 (Winter 2011), pp.3–14.
Michael Hooper: ‘Reaching higher: Finnissy’s Greatest hits of all time as the impetus for innovation’, vol.152 no.1916 (Autumn 2011), pp.43–57.
Fabian Huss: ‘EJ Moeran: letters to Hubert Foss and Benjamin Britten’, vol.152 no.1916 (Autumn 2011), pp.33–42.
Howard Irving: Gender and Germanness in the British reception of the Viennese classics’, vol.152 no.1914 (Spring 2011), pp.87–94.
Robin Maconie: ‘Revisiting Mikrophonie I’, vol.152 no.1914 (Spring 2011), pp.95–102.
Paul Merrick: ‘“Teufelsonate”: Mephistopheles in Liszt’s Piano Sonata in B minor’, vol.152 no.1914 (Spring 2011), pp.7–19.
Stephanus Muller: ‘Miniature blueprints, spider stratagems: a Michael Blake retrospective at 60’, vol.152 no.1917 (Winter 2011), pp.71–92.
Kevin O’Connell: ‘Hindemith’s voices’, vol.152 no.1915 (Summer 2011), pp.3–18.
Caroline Rae: ‘Debussyist, modernist, exoticist: Marius-François Gaillard rediscovered’, vol.152 no.1916 (Autumn 2011), pp.59–80.
RJ Stove: ‘Franck after Franck: the composer’s posthumous reputation’, vol.152 no.1914 (Spring 2011), pp.44–60.
Andrew Thomson: ‘Mystic modernist currents flowing from Berlioz’s Grande messe des morts’, vol.152 no.1915 (Summer 2011), pp.59–70.
Arnold Whittall: ‘Affirmative anger: James Clarke and the music of abstract expressionism’, vol.152 no.1915 (Summer 2011), pp.19–30.
Arnold Whittall: ‘Dendritic designs: Birtwistle’s String quartet: the tree of strings’, vol.152 no.1916 (Autumn 2011), pp.3–17.
Book reviews
Ian Bartlett with Robert J. Bruce: William Boyce: a tercentenary sourcebook and compendium, reviewed by Patricia Howard, vol.152 no.1917 (Winter 2011), pp.111–114.
Helen Berry: The castrato and his wife, reviewed by Patricia Howard, vol.152 no.1917 (Winter 2011), pp.111–114.
Leo Black: BBC music in the Glock era and after: a memoir, reviewed by David Wright, vol.152 no.1915 (Summer 2011), pp.116–118.
Bojan Bujic: Arnold Schoenberg, reviewed by Arnold Whittall, vol.152 no.1916 (Autumn 2011), pp.117–118.
Sabine Feisst: Schoenberg’s new world: the American years, reviewed by Arnold Whittall, vol.152 no.1916 (Autumn 2011), pp.117–118.
Vincent Giroud: French opera: a short history, reviewed by Andrew Thomson, vol.152 no.1914 (Spring 2011), pp.109–14.
Paul Griffiths: Modern music and after, 3rd edition, reviewed by Arnold Whittall, vol.152 no.1916 (Autumn 2011), pp.114–117.
Christopher Hailey, ed.: Berg and his world, reviewed by Arnold Whittall, vol.152 no.1915 (Summer 2011), pp.114–116.
Patricia Hall: Berg’s Wozzeck, reviewed by Arnold Whittall, vol.152 no.1917 (Winter 2011), pp.116–117.
Raymond Holden: Richard Strauss: a musical life, reviewed by Andrew Thomson, vol.152 no.1917 (Winter 2011), pp.103–110.
Peter Holman: Life after death: the viola da gamba in Britain from Purcell to Dolmetsch, reviewed by Peter Williams, vol.152 no.1916 (Autumn 2011), pp.109–113.
Gundula Kreuzer: Verdi and the Germans: from unification to the Third Reich, reviewed by
Arnold Whittall, vol.152 no.1915 (Summer 2011), pp.109–111.
Arnold Whittall, vol.152 no.1915 (Summer 2011), pp.109–111.
Benjamin M. Korstvedt: Listening for utopia in Ernst Bloch’s musical philosophy, reviewed by Arnold Whittall, vol.152 no.1915 (Summer 2011), pp.112–114.
Erik Levi: Mozart and the Nazis: how the Third Reich abused a cultural icon, reviewed by Arnold Whittall, vol.152 no.1915 (Summer 2011), pp.109–111.
Robin Maconie: Musicologia: musical knowledge from Plato to John Cage, reviewed by Peter
Williams, vol.152 no.1914 (Spring 2011), pp.103–108.
Williams, vol.152 no.1914 (Spring 2011), pp.103–108.
Deborah Mawer, ed.: Ravel studies, reviewed by Andrew Thomson, vol.152 no.1916 (Autumn 2011), pp.101–108.
Marc D. Moskovitz: Alexander Zemlinsky: a lyric symphony, reviewed by Peter Palmer, vol.152 no.1914 (Spring 2011), pp.119–120.
Roger Nichols: Ravel, reviewed by Andrew Thomson, vol.152 no.1916 (Autumn 2011), pp.101–108.
Samantha Owens, Barbara M. Reul, & Janice B. Stockigt, edd.: Music at German courts, 1715–1760: changing artistic priorities, reviewed by Peter Williams, vol.152 no.1917 (Winter 2011), pp.114–116.
Max Paddison & Irène Deliège, edd.: Contemporary music: theoretical and philosophical perspectives, reviewed by Arnold Whittall, vol.152 no.1916 (Autumn 2011), pp.114–117.
Philip Reed & Mervyn Cooke, edd.: Letters from a life: the selected letters of Benjamin Britten, volume five 1959–1965, reviewed by Arnold Whittall, vol.152 no.1914 (Spring 2011), pp.115–117.
Steven Rings: Tonality and transformation, reviewed by Arnold Whittall, vol.152 no.1917 (Winter 2011), pp.93–102.
Stephen Rose: The musician in literature in the age of Bach, reviewed by Peter Williams, vol.152 no.1917 (Winter 2011), pp.114–116.
Charles Rosen: Music and sentiment, reviewed by Paul Driver, vol.152 no.1915 (Summer 2011), pp.95–100.
Johannes Volker Schmidt: Hans Rott: Leben und Werk, reviewed by Chris Walton, vol.152 no.1915 (Summer 2011), pp.118–119.
Thomas Schmidt-Beste: The sonata, reviewed by Patricia Howard, vol.152 no.1916 (Autumn 2011), pp.118–120.
David Schulenberg: The music of Wilhelm Friedemann Bach, reviewed by Peter Williams, vol.152 no.1916 (Autumn 2011), pp.109–113.
Tony Scotland: Lennox & Freda, reviewed by Andrew Thomson, vol.152 no.1915 (Summer 2011), pp.101–107.
Dmitri Tymoczko: A geometry of music: harmony and counterpoint in the extended common practice, reviewed by Arnold Whittall, vol.152 no.1917 (Winter 2011), pp.93–102.
Ian Woodfield: The Vienna Don Giovanni, reviewed by Patricia Howard, vol.152 no.1914 (Spring 2011), pp.117–119.
Charles Youmans, ed.: The Cambridge companion to Richard Strauss, reviewed by Andrew Thomson, vol.152 no.1917 (Winter 2011), pp.103–110.
