Volume 151 (2010)
Articles
Carl Abbott: ‘Marguerite de Pachmann: a forgotten woman pianist and composer’, vol.151 no.1913 (Winter 2010), pp.69–78.
Barbara Barry: ‘A shouting silence: further thoughts about Schubert’s “Unfinished” ’, vol.151 no.1911 (Summer 2010), pp.39–52.
Leo Black: ‘The demotic Schumann (so what is this “tone of the people”?): Fünf Stücke im Volkston op.102’, vol.151 no.1911 (Summer 2010), pp.19–38.
Sylvia Bowden: ‘Beethoven’s distant beloved: the “only” one’, vol.151 no.1913 (Winter 2010), pp.23–42.
Roger Bowers: ‘Of 1610: Claudio Monteverdi’s “Mass, motets and vespers” ’, vol.151 no.1912 (Autumn 2010), pp.41–46.
Ilias Chrissochoidis: ‘London Mozartiana: Wolfgang’s disputed age & early performances of Allegri’s Miserere’, vol.151 no.1911 (Summer 2010), pp.83–89.
Benjamin Dwyer: ‘From the Celtic to the abstract: shifting perspectives in the music of John Buckley’, vol.151 no.1913 (Winter 2010), pp.7–21.
Rodney Stenning Edgecombe: ‘Blessed assurance: some secular uses of the chorale’, vol.151 no.1913 (Winter 2010), pp.43–54.
Rodney Stenning Edgecombe: ‘Tchaikovsky and “le joli”: some points of contact with Bizet, Auber, Meyerbeer and Adam’, vol.151 no.1910 (Spring 2010), pp.31–46.
William B. Hannam: ‘The enemy within: some disagreeable words from Frederick Corder (1918)’, vol.151 no.1910 (Spring 2010), pp.47–52.
Patricia Howard: ‘ “No equal on any stage in Europe”: Guadagni as actor’, vol.151 no.1910 (Spring 2010), pp.9–21.
John S. Jenkins: ‘Mozart and the castrati’, vol.151 no.1913 (Winter 2010), pp.55–68.
Nicholas Jones & Richard McGregor: ‘Peter Maxwell Davies’s Opus and WoO numbers: a new work list’, vol.151 no.1910 (Spring 2010), pp.53–86.
James MacMillan & Richard McGregor: ‘James MacMillan: a conversation and commentary’, vol.151 no.1912 (Autumn 2010), pp.69–100.
Robin Maconie: ‘On the prehistory of music in New Zealand’, vol.151 no.1910 (Spring 2010), pp.23–30.
Colin Matthews: ‘Tempo relationships in the Adagio of Mahler’s Tenth Symphony; and two wrong notes’, vol.151 no.1910 (Spring 2010), pp.3–8.
Lodewijk Muns: ‘Schumann’s First Symphony: “The Nightwatchman” ’, vol.151 no.1911 (Summer 2010), pp.3–17.
Andrew Parrott: ‘Bach’s chorus: no change’, vol.151 no.1913 (Winter 2010), pp.4–6.
Caroline Potter: ‘The composer, the choreographer and the film star: Henri Dutilleux’s music for ballet’, vol.151 no.1911 (Summer 2010), pp.71–82.
Godwin Sadoh: ‘The orchestral works of Samuel Akpabot, a Nigerian composer-ethnomusicologist’, vol.151 no.1913 (Winter 2010), pp.79–94.
Alon Schab: ‘On the ground and off: a comparative study of two Purcell chaconnes’, vol.151 no.1912 (Autumn 2010), pp.47–57.
Andrew Thomson: ‘The organ in some striking orchestral, operatic and choral contexts’, vol.151 no.1912 (Autumn 2010), pp.59–68.
Chris Walton: ‘Mendelssohn on the Mersey: the lives and work of Jakob Zeugheer’, vol.151 no.1912 (Autumn 2010), pp.25–40.
Laura Watson: ‘Dukas’s “Victory”: a cultural and political reading of a post-WW1 manuscript’, vol.151 no.1911 (Summer 2010), pp.53–70.
Arnold Whittall: ‘Weaving a spell: Wagnerian craft in Der fliegende Holländer’, vol.151 no.1912 (Autumn 2010), pp.9–23.
Book reviews
Arved Ashby: Absolute music, mechanical reproduction, reviewed by Arnold Whittall, vol.151 no.1912 (Autumn 2010), pp.101–08.
Lorraine Byrne Bodley: Goethe and Zelter: musical dialogues, reviewed by Peter Palmer, vol.151 no.1911 (Summer 2010), pp.114–16.
Ian Bradley: Water music: music making in the spas of Europe & North America, reviewed by Chris Walton, vol.151 no.1912 (Autumn 2010), pp.118–19.
Philip Ross Bullock: Rosa Newmarch and Russian music in late nineteenth and early twentieth-century England, reviewed by Andrew Thomson, vol.151 no.1911 (Summer 2010), pp.96–100.
Robert Carl: Terry Riley’s In C, reviewed by Christopher Fox, vol.151 no.1911 (Summer 2010), pp.101–04.
Keith Chapin & Lawrence Kramer, edd.: Musical meaning and human values, reviewed by Arnold Whittall, vol.151 no.1910 (Spring 2010), pp.99–105.
John Cunningham: The consort music of William Lawes 1602–1645, reviewed by Peter Williams, vol.151 no.1913 (Winter 2010), pp.111–112.
Anthony R. DelDonna & Pierpaolo Polzonetti, edd.: The Cambridge companion to eighteenth-century opera, reviewed by Patricia Howard, vol.151 no.1910 (Spring 2010), pp.113–16.
John Evans, edd.: Journeying boy: the diaries of the young Benjamin Britten 1928–1938, reviewed by Arnold Whittall, vol.151 no.1911 (Summer 2010), pp.105–08.
David Fallows: Josquin, reviewed by Peter Phillips, vol.151 no.1911 (Summer 2010), pp.91–95.
James Garratt: Music, culture and social reform in the age of Wagner, reviewed by Arnold Whittall, vol.151 no.1913 (Winter 2010), pp.115–17.
Kenneth Gloag & Nicholas Jones, edd.: Peter Maxwell Davies studies, reviewed by Christopher Fox, vol.151 no.1910 (Spring 2010), pp.87–91.
Irving Godt: Marianna Martines: a woman composer in the Vienna of Mozart and Haydn, reviewed by Patricia Howard, vol.151 no.1913 (Winter 2010), pp.112–114.
Glenda Dawn Goss: Sibelius: a composer’s life and the awakening of Finland, reviewed by Arnold Whittall, vol.151 no.1911 (Summer 2010), pp.108–110.
Thomas S. Grey, ed.: Richard Wagner and his world, reviewed by Peter Williams, vol.151 no.1910 (Spring 2010), pp.99–105.
Emma Hornby & David Maw: Essays on the history of English music: sources, style, performance, historiography, reviewed by Peter Williams, vol.151 no.1913 (Winter 2010), pp.111–112.
Ruth Katz: A language of its own: sense and meaning in the making of western art music, reviewed by Peter Williams, vol.151 no.1912 (Autumn 2010), pp.115–17.
Peter Kivy: Antithetical arts: on the ancient quarrel between literature and music, reviewed by Peter Williams, vol.151 no.1910 (Spring 2010), pp.92–98.
Sterling Lambert: Re-reading poetry: Schubert’s multiple settings of Goethe, reviewed by Peter Palmer, vol.151 no.1910 (Spring 2010), pp.116–17.
David Ledbetter: Unaccompanied Bach: performing the solo works, reviewed by Peter Williams, vol.151 no.1912 (Autumn 2010), pp.115–17.
Ralph P. Locke: Musical exoticism: images and reflections, reviewed by Peter Williams, vol.151 no.1911 (Summer 2010), pp.116–17.
Malcolm MacDonald, ed.: Havergal Brian on music, volume two, reviewed by Nicholas Jones, vol.151 no.1911 (Summer 2010), pp.118–120.
David Metzer: Musical modernism at the turn of the century, reviewed by Nicholas Jones, vol.151 no.1912 (Autumn 2010), pp.109–12.
Christopher Page: The Christian west and its singers: the first thousand years, reviewed by Peter Phillips, vol.151 no.1913 (Winter 2010), pp.95–104.
Hilary Poriss: Changing the score: arias, prima donnas, and the authority of performance, reviewed by Patricia Howard, vol.151 no.1910 (Spring 2010), pp.113–16.
Alexander Rehding: Music and monumentality: commemoration and wonderment in nineteenth-century Germany, reviewed by Arnold Whittall, vol.151 no.1910 (Spring 2010), pp.99–105.
Lee Rothfarb: August Halm: a critical and creative life in music, reviewed by Arnold Whittall, vol.151 no.1913 (Winter 2010), pp.117–18.
Matthew Riley, ed.: British music and modernism, 1895–1960, reviewed by Arnold Whittall, vol.151 no.1912 (Autumn 2010), pp.101–08.
Ian Rumbold, ed.: Hermann Pötzlinger’s Music Book, reviewed by Peter Williams, vol.151 no.1911 (Summer 2010), pp.117–18.
James Saunders, ed.: The Ashgate research companion to experimental music, reviewed by Arnold Whittall, vol.151 no.1910 (Spring 2010), pp.119–[121].
Jennifer Shaw & Joseph Auner, edd.: The Cambridge companion to Schoenberg, reviewed by Arnold Whittall, vol.151 no.1912 (Autumn 2010), pp.101–08.
Roger Scruton: Understanding music: philosophy and interpretation, reviewed by Peter Williams, vol.151 no.1910 (Spring 2010), pp.92–98.
R. Larry Todd: Fanny Hensel: the other Mendelssohn, reviewed by Patricia Howard, vol.151 no.1912 (Autumn 2010), pp.113–15.
Bálint András Varga, ed.: György Kurtág: three interviews and Ligeti homages, reviewed by Arnold Whittall, vol.151 no.1910 (Spring 2010), pp.117–19.
Nicholas Vazsonyi: Richard Wagner: self-promotion and the making of a brand, reviewed by Chris Walton, vol.151 no.1913 (Winter 2010), pp.114–15.
Alan Walker: Hans von Bülow: a life and times, reviewed by Chris Walton, vol.151 no.1911 (Summer 2010), pp.112–14.
Lucy Walker, ed: Benjamin Britten: new perspectives on his life and work, reviewed by Arnold Whittall, vol.151 no.1911 (Summer 2010), pp.105–08.
Chris Walton: Othmar Schoeck: life and works, reviewed by Andrew Thomson, vol.151 no.1913 (Winter 2010), pp.105–10.
William Weber: The great transformation of musical taste, reviewed by Chris Walton, vol.151 no.1911 (Summer 2010), pp.110–12.
Roland John Wiley: Tchaikovsky, reviewed by Andrew Thomson, vol.151 no.1910 (Spring 2010), pp.106–12.
Letters
Eric Altschuler: ‘Practice makes perfect’, vol.151 no.1912 (Autumn 2010), pp.7–8.
Sylvia Bowden: reply to Rita Steblin: ‘Beethoven’s beloved’, vol.151 no.1912 (Autumn 2010), pp.4–5.
Michael Graubart: ‘Schubert’s silence’, vol.151 no.1912 (Autumn 2010), pp.5–7.
David Humphreys: ‘HWV301’, vol.151 no.1913 (Winter 2010), pp.2–3.
Rita Steblin: ‘Beethoven’s beloved’, vol.151 no.1912 (Autumn 2010), pp.2–4.
