Articles
Donald Burrows: ‘Who was Handel’s tenor soloist in 1751?’
Ian Bartlett: ‘Blessed is he: an overlooked early anthem by William Boyce’
Arnold Whittall: ‘Questioning the sound: the music of Christian Mason’
Reviews
by Andrew Thomson, David Wright, Arnold Whittall and David Cormack of
John Carnelley: George Smart and nineteenth-century concert life
Philip Rupprecht: British musical modernism: the Manchester Group and their contemporaries
John Carnelley: George Smart and nineteenth-century concert life
Philip Rupprecht: British musical modernism: the Manchester Group and their contemporaries
Mark Hutchinson: Coherence in new music: experience, aesthetics, analysis
Peter Edwards: György Ligeti’s Le Grand Macabre: postmodernism, musico-dramatic form and the grotesque
Rose Dodd, ed.: Perspectives on the music of Christopher Fox: straight lines in broken times
Edward Venn: Thomas Adès: Asyla
Oswald Georg Bauer: Die Geschichte der Bayreuther Festspiele