From the Summer 2017 Musical Times, available now


Peter Phillips: ‘Eton encounters: reflections on the Choirbook’

Donald Burrows: ‘Who was Handel’s tenor soloist in 1751?’

Ian Bartlett: ‘Blessed is he: an overlooked early anthem by William Boyce’

Arnold Whittall: ‘Questioning the sound: the music of Christian Mason’


by Andrew Thomson, David Wright, Arnold Whittall and David Cormack of

John Carnelley: George Smart and nineteenth-century concert life
Philip Rupprecht: British musical modernism: the Manchester Group and their contemporaries
Mark Hutchinson: Coherence in new music: experience, aesthetics, analysis
Peter Edwards: György Ligeti’s Le Grand Macabre: postmodernism, musico-dramatic form and the grotesque
Rose Dodd, ed.: Perspectives on the music of Christopher Fox: straight lines in broken times
Edward Venn: Thomas Adès: Asyla
Oswald Georg Bauer: Die Geschichte der Bayreuther Festspiele