Articles
Arnold Whittall: ‘ “This is tomorrow”:
Birtwistle’s Orpheus in another world’
Donald
Burrows: ‘In Handel’s shadow: performances of Messiah in
Dublin during the 1740s’
Allan
W. Atlas: ‘Vaughan Williams, the Serenade
to music and opening night at Lincoln Center’
Michael
Talbot: ‘Antoine Favre (c.1670–c.1739): a good violinist and an even
better composer’
Beverly
Jerold: ‘Distinguishing between dotted notes and notes inégales’
Eric
L. Altschuler: ‘Cantata aria BWV 151/1 and the proportional theory of tempos
for JS Bach’
David
Cormack: ‘Wagner’s German “Marseillaise” ’
Robin
Maconie: ‘Trios and epitaphs: on Boulez’s Sur
incises’
Reviews
by Andrew Thomson and Arnold Whittall of
David
CH Wright: The Royal College of Music and
its contexts: an artistic and social history
Matthew
Mugmon: Aaron Copland and the American
legacy of Gustav Mahler
Amy
Lynn Wlodarski: George Rochberg, American
composer: personal trauma and artistic creativity
Sumanth Gopinath & Pwyll ap Siôn, edd.:
Rethinking Reich
Hans Keller: Beethoven’s String Quartet in B flat major, op.130: four lectures
